IRAN | shapes, sounds, lights and words
01:49:28

IRAN | shapes, sounds, lights and words

In January 2018, we recorded images and sounds over two weeks between the cities of Tehran, Isfahan, Passargad, Persepolis and Shihaz. Over the years 2018 and 2019, the travel experience hibernates, attends conversations, visits and intertwines with countless other experiences inside and outside the audiovisual language, inside and outside the academic, utopian, and therefore so real, place of speech, right to assert a south-south dialogue, between us from a peripheral West, equally targeted of stereotyped hegemonic constructions, and them, bombarded, nightly, by the tyranny of Western freedom. Between the burqa and the bikini, there must be a place where we will be friends with the king, beyond the girl from Ipanema, beyond Tehran. The main objective of this documentary is to break the stereotyped vision supported by the Islamophobic discourse, through a generous look cast from the underside of the equator, in which “there is no sin”, but starvation and premature death, of those chosen. It is about tracing, casting a thread of Ariadne's, a listening line, not mediated by the civilizing Eurocentric or North American speech that so much barbarism has produced for itself and for the rest of the world. The documentary walks through streets, temples, museums, ruins, but mainly through people, eyes and souls. Some alive, others stretched out in the tannery, here and there. Joys and suffering that bring us closer. Only us, and it is already us, here and there, western periphery and Islamic periphery, given to understanding. Afterwards, there were months, almost years of editing, new mnemonic experiences, revisiting images, cutting out memories, the cold blade of cutting and editing, creating the documentary film creature that has the privilege to tell about it all. Even though everything is so much more. Here is what is left, what has been reduced, compiled, compressed, a multitude of experiences, here and there, images, sounds, memories.
MAPA DOS SONS | TOKIO - KIOTO
41:06
CARREADAS
01:12:03

CARREADAS

Trata-se de um filme centrado nas práticas tradicionais dos carreiros e fabricantes de carros de boi no sertão alagoano. O filme foi desenvolvido com recursos do Instituto do Patrimônio Histórico e Artístico Nacional em parceria com a Secretaria de Cultura do Estado de Alagoas, a Universidade Federal de Alagoas e o Centro Universitário Tiradentes, e é resultado de dois anos de pesquisa desenvolvida pelo Grupo de pesquisa Nordestanças no sertão e agreste alagoanos. O documentário “Carreadas”, começou a ser editado no final de 2016 e foi finalizado em fevereiro de 2017, como forma de divulgação dos resultados obtidos a partir do Projeto de Salvaguarda do Patrimônio Imaterial de Alagoas, o núcleo de produção audiovisual Nordestanças Filmes, coordenado pelo Professor Walcler Mendes Junior, está envolvido na produção de documentários de cunho etnográfico, a serem lançados em parceria com o IPHAN no ano de 2017. DIREÇÃO Walcler Mendes Junior Juliana Michaello Pedro Simonard Jesana Batista Pereira ROTEIRO E EDIÇÃO Walcler Mendes Junior IMAGENS Karla Calheiros Maria Vitoria Silvestre Natália Tavares Nathália Amaral Pedro Simonard Tatiane Almeida Victor Falcão Walcler Mendes Junior William Félix ARTE Juliana Michaello COORDENAÇÃO DE PESQUISA Juliana Michaello Walcler Mendes Junior PESQUISADORES Jesana Batista Pereira João Paulo Omena Silva Maria Francyelle Araújo Pedro Simonard Thalita Lins do Nascimento BOLSISTAS Adriane Canabarro Allyson Jesus Amanda Rodrigues Ana Caroline Araujo Camila Oliveira Daniela Novaes Emerson Távora José Henrique Costa Tenório Ingrid Géssica Araujo Ingryd Rodrigues Alves Isabela Braz Jéssica Patrícia da Conceição Karla Calheiros Maria Clara Marinho Maria Victória Silvestre Nathália de Almeida Amaral Reberth Almeida Taísa Theberge Tatiane Almeida Victor Falcão William Félix
A SAGA DO MENINO CANTA
01:03:14
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